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workshops:
theatre & film

why this workshop

In a post #MeToo world, lots of folks are wondering how to navigate the intimate world of theatre, film, and television, while still maintaining respect. Everyone has had the same sexual harassment trainings, and the use of intimacy coordinators and directors is becoming standard. 

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But what about etiquette in dressing rooms? What about handling scenes of intense physical contact that aren't otherwise "intimate"? What about figuring out costumes that still honor actor's boundaries? 

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This workshop equips all members of the production team with practical tools to navigate consent and boundaries, while still honoring creativity and the intensely personal nature of this work.

what the workshop covers

Each workshop can easily be tailored to your specific needs, but typically, the workshop covers: 

  • Discussion of comfort zones, growth zones, and trauma zones

  • Self regulation skills

  • Definitions of consent and boundaries

  • Learning how to say and hear "no" 

  • Communicating boundaries

  • Closure practices

  • What to do when someone crosses a boundary

  • Open Q&A

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Workshops are a combination of discussion and group activities, and no intimacy is required. 

testimonials

"Doing a Consent Workshop with Liz was so healing. It actually helped me unravel (and remember) some fears that have been holding me back on stage and in life. Being taught that I have the right to have power over what happens to my body, even in 'minor' interactions, was an astounding experience." 

- Julie, workshop participant

details

Workshops typically last 1-2 hours and are created for groups of 15-30.To allow all members of a production to participate, workshops can be offered in several sessions over the course of a day or several days. While the workshop is most effective in person, remote options are also available. I also like to coordinate with a company’s existing HR department to make sure the workshop incorporates existing policies.

Rates

$150 - $5000

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Because of the enormous variety in budgets and group sizes, rates also vary greatly. 

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Production companies can pay a flat fee for their organization or can host a workshop and share in participant fees. 

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I don't wish my workshops to be cost-prohibitive. Email me and let's work something out that can fit your budget! 

While I work in various areas throughout Utah, much of my work takes place on the traditional lands of the Núu-agha-tʉvʉ-pʉ̱ (Ute), Goshute, and Eastern Shoshone peoples. White settlers seized the lands colonially known as the Salt Lake and Utah Valleys through the unratified and unfulfilled Treaty of Spanish Fork in 1865, in exchange for basic needs and rights, under the direction of Brigham Young. 

To learn some of the ways you can support members of these native peoples today (including land restoration and preservation), visit and/or donate to the following resources: 

Ute Land Trust

Urban Indian Center of Salt Lake

Utah Diné Bikéyah

Landback

Indigenous Action 

The Red Nation

 

I also recognize the stolen lives of the enslaved Africans brought to Utah by early white settlers, and acknowledge that their subjugation and forced labor helped to establish the cities that exist in this area today. 

To learn about direct action you can take for racial justice, visit and/or donate to the following resources:

The Black Menaces

The National African-American Reparations Commission

The Center for Anti-Racist Research

Resmaa Menakem and Somatic Abolitionism

 

These acknowledgments are only one step in anti-racist theater, film, and television. I strive to de-colonize my work through careful project selection, meaningful collaboration, ongoing conversation, self education, and uplifting the voices who have been marginalized by white supremacy.

© Liz Whittaker

lizwhittakeremail@gmail.com

208.709.8945

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