boundary check-ins, tap in/out, closure practices

These tools create a "container" in which to work safely and professionally. You can use these on any scenes, whether intimate or not, and whether or not there is an intimacy professional present.

boundary check ins

All parties face each other and take turns explaining where on their bodies they have boundaries
- Helpful to start at the top of the head and go down to the toes
- Resist the urge to justify boundaries
- Clarification may be asked for or offered as needed
- Use the language of health class, muscles, bones (avoid slang)
EXAMPLE: "I have a boundary around my hair being touched. I have a boundary around my breasts being touched by hands, but like, a hug chest to chest is okay. I have a boundary around my genitals, and please don't touch the backs of my knees."
Optional step: “My name is ______, and I’m playing the character of _____. I respect your boundaries and I’m looking forward to doing this scene/show with you.”

tap in

Used at the beginning of rehearsal, show, or filming an intimate scene

Actors stand across from each other and make eye contact for at least one beat
Actors take one breath in and one breath out together (maintaining eye contact)
Actors do a double high five (both hands at once, like a bridge)

Modification: Actors clap their own hands together instead of the "double high five."

tap out

Used at the end of rehearsal or intimate scene

It's the exact same thing as tapping in! This can also include a "thank you."

Modification: Actors clap their own hands together instead of the "double high five."

optional de-role practice

(adapted from practices created by Laura Rikard)

Out loud, say the following:
- "As the character of ___, I was feeling/thinking/doing ___."
- "As myself, I am feeling/thinking/doing ___."
- "After rehearsal, I’m looking forward to ___."
When you're done speaking, hit your own thighs and say "hup!" and then clap your hands once.