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closure

If you're a director or teacher, make time and space at the end of rehearsal for actors to have some closure. If you're an actor, you can adapt these practices to do on your own at the end of rehearsal or when you get home. 

work it out of the body: option 1
"SHAKE IT OFF"

  • Shake and shimmy your body...just let the wiggles take you over! Include some "marching in place" type movements (the left/right movement helps your body calm down).​

  • Place one hand on your belly and one hand on your sternum and take some deliberate breaths.

work it out of the body: OPTION 2
the "step out"

(based on Alba Emoting "step out") (click here to see video if needed)

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  • Stand with feet shoulder width apart, with the outsides of your feet parallel

  • Look out in front of you onto your own personal horizon (something in the room that doesn't include another person) 

  • Interlock your fingers in front of you

  • Inhale and allow it to bring your hands up and over your head, landing at the back of your neck

  • Exhale and allow it to bring your hands back to your front, keeping your fingers interlocked

  • Repeat breathing and arm movement 4-5 times

  • On the last exhale, bring your body forward so you're bent over

  • Slowly begin to shake and wiggle your body, including legs, hips, shoulders

  • Massage your face with your fingertips while still bent over and shaking your body

  • Allow the shaking of your body to gradually increase until you're up and doing big jumping motions

  • Add some vocalizations as you jump

de-role

​(adapted from practices created by Laura Rikard)

​

  • Out loud, say the following:

    • "As the character of ___, I was feeling/thinking/doing ___."

    • "As myself, I am feeling/thinking/doing ___."

    • "After rehearsal, I’m looking forward to ___."

  • When you're done speaking, hit your own thighs and say "hup!" and then clap your hands once. 

quick re-centering exercises

I encourage you to take the time and space you need to regulate your nervous system and step out of character. But if you need a quick re-centering, or you're unable to do a full closure practice, these things can help. â€‹

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  • Place one hand on your stomach and another over your heart and take 3-5 deep breaths into your belly

  • Give yourself a "butterfly hug"--cross your arms over your chest like a vampire or ancient Egyptian mummy, but with your hands resting on your upper arms

  • Rock from side to side

  • Tap your thighs in an alternating left-right pattern

  • Take a moment and observe 3 colors you can see, 2 things you can hear, and 1 thing you can touch

While I work in various areas throughout Utah, much of my work takes place on the traditional lands of the Núu-agha-tʉvʉ-pʉ̱ (Ute), Goshute, and Eastern Shoshone peoples. White settlers seized the lands colonially known as the Salt Lake and Utah Valleys through the unratified and unfulfilled Treaty of Spanish Fork in 1865, in exchange for basic needs and rights, under the direction of Brigham Young. 

To learn some of the ways you can support members of these native peoples today (including land restoration and preservation), visit and/or donate to the following resources: 

Ute Land Trust

Urban Indian Center of Salt Lake

Utah Diné Bikéyah

Landback

Indigenous Action 

The Red Nation

 

I also recognize the stolen lives of the enslaved Africans brought to Utah by early white settlers, and acknowledge that their subjugation and forced labor helped to establish the cities that exist in this area today. 

To learn about direct action you can take for racial justice, visit and/or donate to the following resources:

The Black Menaces

The National African-American Reparations Commission

The Center for Anti-Racist Research

Resmaa Menakem and Somatic Abolitionism

 

These acknowledgments are only one step in anti-racist theater, film, and television. I strive to de-colonize my work through careful project selection, meaningful collaboration, ongoing conversation, self education, and uplifting the voices who have been marginalized by white supremacy.

© Liz Whittaker

lizwhittakeremail@gmail.com

208.709.8945

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